By Jamie Howison,Don E. Saliers
As a part of the becoming literature on theology and the humanities, God’s brain in that song explores the sizeable theological perception expressed within the song of jazz legend John Coltrane. targeting 8 of Coltrane's items, subject matters into consideration contain lament (“Alabama”), improvisation (“My favourite issues” and “Ascension”), grace (“A Love Supreme”), and the Trinity (“The Father and the Son and the Holy Ghost”). through getting to the traditions of theology and of jazz feedback, and during a sequence of interviews with musicians, theologians, and jazz writers, Jamie Howison attracts the worlds of theology and jazz into an lively and colourful dialog with one another. outfitted round a centred hearing John Coltrane’s track as heard opposed to the heritage of his existence and social context, and interacting with the paintings of a variety of writers together with James Baldwin, Dorothee Soelle, Jeremy Begbie, and James Cone, God’s brain in that track might be of curiosity not just to these drawn to the intersection of tune and theology, but in addition to Coltrane lovers, scholars of jazz reports, and somebody who believes that tune matters.
“Written with vibrant cognizance to sound and the sacred, Howison’s pages open up the non secular and aesthetic depths of John Coltrane’s global . . . alongside the way in which, we listen many voices attesting to this uniquely American musician who maintains to astonish our too-easily-established different types. Coltrane wanted to ‘sound’ the cosmos, to bare the secret that surrounds us. This publication is an educated act of affection for a gorgeous, advanced, extraordinary musician.”
—Don E. Saliers, Emory University
“Howison has given us an unique research exhibiting the connections among jazz tune and theological truths, bringing jointly a unprecedented blend of musical and non secular services. His e-book is a deeply own examine the good song of John Coltrane and different jazz artists, exhibiting how their creativity is an expression of the numerous features of our humanity, from tragedies to triumphs. there's not anything really like this within the literature. Must-reading for somebody who cares concerning the arts on the subject of faith.”
—William Edgar, Westminster Theological Seminary
“One needn't be partial to jazz or Coltrane to understand the big prefer Howison has performed for all those that might search to be remodeled by means of the excellent news of the gospel. Rooted within the theological culture, cautious in its consciousness to uncomplicated biblical issues, and hugely conversant with the heritage of jazz and its so much capable practitioners, Howison’s e-book takes us into waters that brim with musical lifestyles and pleasure, waters the place God is making all issues new.”
—Christopher R. J. Holmes, collage of Otago
“Through a humble and awfully courageous examine the tune and lifetime of John Coltrane, Howison manages to in brief unveil one of many methods God interacts with humans, and conversely, how humans engage with God . . . the glorious and hard great thing about this paintings is that simply because the reader catches a glimpse of the Holy, it slips away, and prefer Coltrane with a fearsome craving in his soul, taking part in till nation come, we're left with a thirst for more.”
—Alana Levandoski, songwriter and recording artist
“Howison’s paintings on Coltrane is insightful and simply what you’d wish for—a deeper, wider groove, a tackle Coltrane that has no longer been peddled to dying. learn and be enriched.”
—Charlie Peacock, musician and manufacturer
Jamie Howison is a clergyman of the Anglican Church of Canada, and the founding pastoral chief of Saint Benedict's desk in Winnipeg, Manitoba. stick to Jamie Howison at http://godsmindinthatmusic.com.